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The Trans-National African Hip Hop Train

hip hop train

Hip hop crosses borders, so the hip hop train is suitably trans-national and can traverse borders, linking up countries and continents, often in the same stop!

The Itinerary:
STOP ONE: NYC to GHANA

The only place to begin is the birthplace of hip hop, New York. And from there, we reach out to Ghana.

Rakim is one of the most influential MCs to come out of New York. Featured on our show is a track from his debut solo album in 1997, 18th Letter, which harks back to hip hop’s golden age. “New York (Ya’ Out There)” is a rapper’s ode to New York where hip hop is an achievement worth checking out.

So bust the box the radio station is hot

Ease your mind staring at skylines from rooftops

Flip scripts for chips, and new whips off the lot

Quick to call a shot, pollitic with thick plots

And the Garden of Eden against the sea that we got

to make sure the core of the Big Apple don’t rot

Where seeings believing we be achieving a lot

Since disc jocks created hip hop, check it out!

- Rakim, “New York (Ya’ Out There)”

 

KRS-One was raised in Park Slope, Brooklyn and moved to the Bronx as a teenager to become an MC. He ended up being the leader of Boogie Down Productions, a pioneer in hip hop, bringing in elements of Jamaican music to the hip hop scene. Nicknamed ‘the Teacher’, he is known for his socially conscious lyrics. Indeed, KRS-One stands for ‘Knowledge Reigns Supreme Over Nearly Everyone’. KRS-One and Boogie Down Productions were key figures in the New York hip hop scene, and were inspiration to many, including Blitz the Ambassador.

 

Blitz the Ambassador is another New York MC, but his roots lie in Ghana where he grew up. After graduating in Ghana, Blitz moved his life to New York to pursue his dream of being an MC. Good choice, because now he’s blowing up. Drawing on his diverse musical background, Blitz is a key player in a new hip hop sound coming out of Africa and the diaspora. He talks all about it in our interview with him for this show. Check out, Native Sun, his most recent album.  ]

K. Frimpong and his Cubano Fiestas was a Ghanaian highlife legend who has been sampled by Blitz on “Akwaaba”. As Blitz says in our interview with him, you’d hear K. Frimpong’s songs at every party in Ghana in the ’70s. In spite of his heavy tunes, there is very little information about him online and not much of his music is available. Luckily for us, the  blog Awesome Tapes From Africa has uploaded two tapes of his music.

Secret Stash Records has recently re-released his classic album on vinyl.

STOP TWO: BELGIUM to CONGO

Baloji was orginally born in the Congo but now resides in Belgium. This guy has really got something special going on with his inventive mix of rap and Congolese soukous, and he is poised to explode this year! Rather than the samples and electronics we’ve come to expect from rap these days, Baloji’s French rhymes danced over the fresh sounds of a killing soukous trio (electric guitar, bass, and drumset). The trio’s playing was very dynamic over the course of the show, ranging from standard-issue party-time soukous, to more relaxed numbers like “Independence Cha-Cha” and full-on rockers.

STOP THREE: GHANA to EUROPE

Here we take off from Ghana to embark back to Europe on a little Eurorail journey, passing through Hungary, Romania, and the UK.

Fokn Boise

FOKN Bois is a hip hop outfit made up of Wanlov the Kubolor and M3nsa the Magnificent. As they say of themselves, ‘when it comes to the Pidgen Music Super Duo known as the FOKN Bois, the two “h”s in Hiphop stand for “Humor” and “Hilarious”’. Funny they may be, but they were still nominated for ‘Best African Act’ at the MOBOs. Together, FOKN Bois have created ‘Coz Ov Moni’, the world’s first Pidgen musical film that has been making the rounds at festivals. Check out the trailer

 

Ruff-N-Smooth are bringing a new face to Ghanaian hip-life. Their debut album caused quite a stir in Ghana, and in 2010, they released the immensely popular “Azingele” which we feature on the show.

 

 

 

 

 

Wan Lov takes us from Ghana to Romania. Self-described as ‘the last African Hippie-hopper…Skirt-wearing, barefooted, Ghanaian-Romanian human being.’ Whilst being half of FOKN Bois, Wanlov has also had a successful solo career with his critically acclaimed album Green Card.

 

 

 

 

Kobi Onyame, a hip hop producer and artist, brings us to our last Ghanaian Eurorailing stop in the UK. Kobi fuses his various influences to produce a new trans-national hip hop sound: “ I love that I am able to express myself through music. I grew up listening to a lot of Hip Hop but heard gospel and highlife from my parents and also pop, rock and dance from my friends.”

One of his recent releases from the EP Green Grasses demonstrates this blending of countries and cultures. ‘Inner City Lights’ features Glasgow-based singer/songwriter/producer Alistair Merrick of Sixpeopleaway and Canadian hip-hop icon Saukrates.

STOP FOUR: MOROCCO

Soultana is a pioneer of Moroccan hip hop, all the more so because she is a woman in a male-dominated world. Already popular in Morocco, Soultana recently made her New York debut to great success, and we were there to catch it.

STOP FIVE: NIGERIA to GERMANY


* Nneka was born to a Nigerian father and German mother in Warri, Oil City in the Delta region of Nigeria. For nineteen years she soaked up the sounds and rhythms of one of the most musical nations on the planet, then moved to Hamburg to continue her education and pursue her musical dreams. The result is a soulful hip hop that reflects her upbringing, singing in English and Igbo about capitalism, poverty and war.

 

 

STOP SIX: SOUTH AFRICA to UK

 

Spoek Mathambo sees himself as a part of a new wave of energy in Africa, which is intent on nurturing a sense of progressiveness while maintaining a pride in culture.. With an incredible video, ‘Control’ presents us with Spoek Mathambo’s hard-hitting take on Afro-futurism.

STOP SEVEN: MALI to FRANCE

Amkoullel is originally from Bamako but he has spent much time developing his career as an MC in Paris. Amkoullel is a pioneer of hip hop in Mali where rap is now a strong force for social and political change. Amkoullel recently came through New York and we were lucky enough to have a very interesting chat with him. During the interview, he told us how he uses his popularity as a rapper to address the important the topic of education in Mali as the video for “Kalan” shows.

 

* Diata Sya is a hip hop outfit from Mali. The group’s name calls them the ‘descendants of Sundiata Keita’, the king of 13th century Mande Empire. As descendants of such a great leader, Diata Sya align themselves with the jeli (griot) tradition of social commentary through music.

 

 

 

 

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BONUS MILES
NYC TO JAMAICA

Damian Marley & Nas- Distant Relatives- Fusing musical elements of hip hop and reggae, Distant Relatives features lyrical themes concerning ancestry, poverty, and the plight of Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. They have previously collaborated on “Road to Zion”, on Marley’s Welcome to Jamrock album. The album joins two different flavors of music with Marley’s dub-rock aesthetic and Nas’ flow. Damian and Stephen produced much of the album. The proceeds of this album will go to building schools in the Congo.

Talib Kweli/Reflection Eternal

Another American MC originating from Park Slope Brooklyn, New York. His first name in Arabic means “student” or “seeker;” his middle name in Swahili means “true”.

Reflection Eternal is a hip hop duo composed of emcee Talib Kweli and DJ Hi-Tek. They released their first album, Train of Thought, in 2000. They have since released a mixtape, The RE: Union, in late December 2009, and their second album Revolutions Per Minute was released May 18, 2010.

* Dead Prez

Stic.man and M1. formed in 1996 in New York City. They are known for their confrontational style, combined with socialist lyrics focused on both militant social justice and Pan-Africanism.

 

 

SENEGAL

* Awadi was one of the first rap stars in Africa in the groundbreaking hip hop group Positive Black Soul.

In his song ”The Roots” with M1 of Dead Prez,  the voice of Malcolm X introduces the track giving a sense of pan-Africanism. This is a clear example of the transnational nature of hip hop. with a great video.

 

NYC via SIERRA LEONE

* Bajah + Dry-Eyed Crew

The three originally from Sierra Leone blends the swagger and funk of hip-hop, the passion and energy of dancehall, and the socially conscious vibe of reggae. The group has generated so much buzz in the hip-hop world that major stars including ?uestlove and Black Thought of the Roots, Talib Kweli, K’Naan, Res, and El-P have contributed their vocal and/or production talents to the upcoming release

In Sierra Leone, now emerging from the throes of a brutal 10-year civil war, Bajah + the Dry Eye Crew are hailed as “the voice of the voiceless,” speaking truths on behalf of those people who have no political power, spreading messages of peace and reconciliation, outing corrupt politicians, and inspiring the disenfranchised youth to pursue their dreams.

* Free download of ‘Kings of Salone: DJ gravy mixtape of Bajah and the Dry Eye Crew

* Video of Bajah and the Dry Eye Crew as take on Americans that have drawn on African music for inspiration – Vampire Weekend and Paul Simon

 

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