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The Mandé Diaspora in New York City, Part Two

In the second part of Afropop’s exploration of New York’s Mandé community, we look at the lives Mandé artists have made for themselves in America. This program deals with the urge to escape community to experience American life and music. … Read more »

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Tweets »

Blog Join Afropop for Finding Fela’s Portland Film Premiere
Blog Mozambican Mix from SoundGoods
Video Alsarah and the Nubatones: New Video and Remixed Album
Blog Photo Essay: Antananarivo, Madagascar
hip-deep Pirates, Slavery and Kings in Madagascar: Interview With Pier Larson
Blog Afropop Debut: “Spirit of Malombo” Album Stream

Reviews »

  • anar
    Anar

    Ever since the breakthrough of Tinariwen, the sight of Tuareg musicians swirling and bobbing their cheche-covered heads to the sound of electric guitars has become increasingly familiar. Mdou Moctar, whose debut album Anar has been released by Sahel Sounds, is one of … Read more »

  • visuel-tonyallen-bd
    Film of Life

    Femi and Seun Kuti are the heirs to their late father Fela’s King of Afrobeat crown. Right? Of course. Well, except…the crown hasn’t been up for grabs. Tony Allen was there from the music’s beginning, a creative partner/confidant of Fela … Read more »

  • a1107785411_10
    Peru Bravo: Funk, Soul and Psych from Peru’s Radical Decade

    Tiger’s Milk Records has established an impressive track record over the course of its short existence. Last year, the British label dropped its first release, the gorgeous cumbia/Latin/tropical compilation Peru Maravilloso. Release number two, Peru Bravo, turns to Peru’s psychedelic … Read more »

  • SallyTUG1085
    Tiger Run

    “Welcome into Hollywood world,” sings Sally Nyolo in the song “Welcome,” on her new album, Tiger Run (Riverboat Records/World Music Network). The tone is dark, cynical, caustic: It’s a caution, a warning against Hollywood-ization, against a devouring kind of globalism. … Read more »

Anar

Ever since the breakthrough of Tinariwen, the sight of Tuareg musicians swirling and bobbing their cheche-covered heads to the sound of electric guitars has become increasingly familiar. Mdou Moctar, whose debut album Anar has been released by Sahel Sounds, is one of … Read more »

NYC Events »

  • Thu Oct 30

    Location: Zinc Bar, West 3rd Street, New York, NY, United States (Google Maps)

    Time: 11:59 pm to 2:00 am

    The essence of AfroCuban music is expressed in the Rumba: intoxicating polyrhythmic percussion, played on multiple drums, accompanied by call and response singing. Master percussionist Roman Diaz, the leader of the Abakuá society brought to Cuba from Calabar, West Africa, is regarded as a “living repository” of Cuba's folkoric music. As a member of the seminal Cuban rumba ensemble Yoruba Andabo, he continued the work of the legendary percussionist Pancho Quinto in creating a new definition of traditional Cuban rumba.

    Román Díaz left Cuba in 1999 to come to New York City. Since then he has been featured alongside Orlando “Puntilla” Rios in the critically acclaimed documentary Calle 54, and in ‘Dame La Mano’ the film that documents the life and times of Union City’s Esquina Habanera, the Grammy-nominated rumba ensemble Raíces Habanera and their followers.

    His mastery of the batá drum is present on countless recordings along with his rock solid groove on congas. He has always been sought after for his artistic sensibility, charisma and signature sound. As a producer, he has brought together some of the finest interpreters of Rumba from the island as documented on the CD, Wemilere. In the U.S., Diaz has collaborated with many musicians including the New Orleans jazz great Donald Harrison, Horacio “El Negro” Hernandez, Paquito D’Rivera, Juan-Carlos Formell, Oriando “Puntilla” Rios and AfroHORN.

  • Fri Oct 31

    Location: Zinc Bar, West 3rd Street, New York, NY, United States (Google Maps)

    Time: 8:00 pm to 9:00 pm

    “The Afro-Peruvian Sextet is writing a new chapter in the history of Latin Jazz” --Rifftides
    “Trumpeter Gabriel Alegria stands poised to introduce Afro-Peruvian Jazz to the world.” –All About Jazz
    “deeply funky 12/8 rhythm!” –Hartford Advocate

  • Fri Oct 31

    Location: Zinc Bar, West 3rd Street, New York, NY, United States (Google Maps)

    Time: 9:30 pm to 1:00 am

    Sets at 9:30, 11:00 and Midnight

    Every Friday night is African Jazz Night. Experience some of the greatest artists of this captivating genre! Depending on the weekend, you might find Source with Abdoulaye Diabaté, an interracial New York-based African group, or the African jazz and funk of the African Blue Notes, led by the Cameroonian singer and guitarist Martino Atagana. This is a night not to be missed!

  • Mon Nov 3

    Location: Barbès (Google Maps)

    Time: 9:30 pm to 11:30 pm

  • Wed Nov 5

    Location: Barbes (Google Maps)

    Time: 10:00 pm to 11:00 pm

    THE MANDINGO AMBASSADORS. Every Wednesday
    In the 1960's and 1970's, the government of Guinea engaged in a campaign known as Authenticité. It was a drive to create a new musical movement that would be specifically Guinean, but would include the modern wonders that were the electric guitar, the electric bass and the drumset. Musicians were given instruments and orchestras were formed. Surprisingly, the results proved mesmerizing and a myriad new bands were born. Many of them would go on to have a profound and lasting impact on African music. Mamady Kouyate was one of those pioneers. He played in various bands - his own band, Les Ambassadeurs du Mandingue, being one of them - but is probably best known as the guitarist in the the classic Bembeya Jazz National. Kouyate, who now lives in NY, has reformed the Mandingo Ambassadors, updating the sound of his youth, but keeping it very close to the standard of Authenticité. The new All-Star band includ es Ismael Kouyate - vocals; Mamady Kourouma - guitar; Oran Etkin - tenor sax & clarinets; Sylvain Leroux - flute, tambin and alto sax; Andy Algire - drums; Nick Cudahy - bass and Mamady Kouyate - guitar. “dazzling vocal and guitar patterns over a rhythm section that is like a perfect system” Ben Ratliff, NY Times.