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Podcast Special!

This summer, Afropop launched a new and improved podcast, making your favorite world-spanning radio show available in a whole new way. To celebrate, we’ve put together a show featuring some of our favorite moments from the podcast. Previously available only … Read more »

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Tweets »

Blog Intern at Afropop!
Blog GodWonder: Dominican Rasterinha and “A Divina” preview
Blog Dancehall’s King Yellowman: Five Classic Tracks
Blog Field Report: Highlights From the 2014 Gwoka Festival in Guadeloupe
interview Heavy Baile: An Interview with Leo Justi
Blog Four Essential Baaba Maal Tracks

Reviews »

  • WFS_Mozambique
    Wired For Sound: Mozambique

    We don’t hear a lot of music from Mozambique. There have been some fine releases of classic marrabenta dance music, and a few roots-pop bands like Ghorwane, Eyuphuro and Mabulu all produced memorable CDs in their times. There’s a Rough … Read more »

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    Salvadora Robot

    In their latest adventure, Salvadora Robot, the Meridian Brothers’ signature skewed sound has evolved into a complex futuristic cosmos. Galaxies collide and merge in this overwhelming burst of rhythm and electronic-infused cumbia. Not that we would expect anything less. Masterminded by … Read more »

  • Siria-Mestre-Cupijo-e-Seu-Ritmo-Artwork
    Siriá

    Slavery was legal in Brazil for almost 400 years. From the early 1500s until the practice was abolished there in 1888, some 4.5 million African men and women were shipped across the Atlantic to Portuguese settlements in the Amazon, where … Read more »

  • Benyoro_KairaBa_web
    New Music From Mande America: “Benyoro” and “The Great Peace” ,

    The U.S. continues to produce bands composed of West Africans and Americans performing electric music at ever mounting levels of proficiency and musicality. Two particularly impressive examples—Benyoro out of New York City, and Diali Cissokho and Kaira Ba out of … Read more »

Wired For Sound: Mozambique

We don’t hear a lot of music from Mozambique. There have been some fine releases of classic marrabenta dance music, and a few roots-pop bands like Ghorwane, Eyuphuro and Mabulu all produced memorable CDs in their times. There’s a Rough … Read more »

NYC Events »

  • Mon Sep 1

    Location: Barbès (Google Maps)

    Time: 9:30 pm to 11:30 pm

  • Tue Sep 2

    Location: Barbès, 376 9th St, New York, NY, United States (Google Maps)

    Time: 10:00 am to 11:00 am

    One of the foremost exponent of Afro-Peruvian guitar in the US, Eric studied with maestro Carlos Hayre and has since gone on to lead his own band in addition to touring with Peruvian singer Eva Ayllon.
    "The spectacular playing and skillful blend of acoustic and electric tones bring authority to this brilliant co-mingling of (jazz and Afro Peruvian) traditions that are, after all, rooted in the same musical heritage." - Guitar Player Magazine.

  • Tue Sep 2

    Location: Brooklyn Bowl, 61 Wythe Ave, Brooklyn, NY, United States (Google Maps)

    Time: 8:00 pm to 9:00 pm

    Doors: 7:00 pm / Show: 8:00 pm
    $5.00

    Mariachi Flor de Toloache is the first and only established all female mariachi band founded in New York city in 2008 by Mireya I. Ramos. Originally a trio, the band has grown to 10 members with all the essential and traditional instruments, violins, trumpets, guitarron (bass), vihuela (5 string guitar) and guitar. In addition, each members' cultural background adds even more diversity to their already unique sound and appearance as an all women band spanning the globe from Puerto Rico, to Mexico, Singapore, Germany, Cuba, Colombia, the Dominican Republic, and the United States.
    Their goal of representing Mexican music and adding their own edgy and versatile sound comes together incredibly naturally and seamlessly. Although as individuals their talent has allowed them to grace stages world­wide from stadiums to acclaimed theater venues, they perform together like a band of sisters, with grace and vibrant beauty casting a spell over their audiences like the legendary and magical Toloache flower that is still being used in Mexico as a love potion.

    The traditional sound of the djembe along the classical sound of the violin.
    Two worlds emerging and creating a new place of harmony; StringsNskins.
    The band was originally founded in 2011 by Luisa Bastidas, a violinist hailing from Colombia and Okai Musik a drummer and vocalist of Haitian descent. The duet started as a mix of their two traditional of native rhythms and folklore.

    It's Carnival in Recife. It's Mardi Gras in New Orleans. And watch out: That just may be the Devil spinning through the dancing crowd, trying to get friendly with the saint in disguise, with the diamond in the rough. The rolling drums and quicksilver accordion licks, the earthy vibe and thoughtful reflections mingle on Matuto's latest refinement of their Appalachia-gone-Afro-Brazilian sound, The Devil and The Diamond (Motema Music; release: May 14, 2013).
    Matuto's songs can sway hips just as easily as spark insights. Drawing on Northeastern Brazil's folkloric rhythms like forró, maracatu, or coco, and on deep Americana—from bluegrass to spirituals to swampy Louisiana jams—Matuto uses unexpected Pan-American sonic sympathies to craft appealing, roosty, yet philosophical tales of love, self-discovery, nostalgia, and true peace.

  • Wed Sep 3

    Location: Brooklyn Bowl, 61 Wythe Ave, Brooklyn, NY, United States (Google Maps)

    Time: 8:00 pm to 12:00 am

  • Wed Sep 3

    Location: Barbes (Google Maps)

    Time: 10:00 pm to 11:00 pm

    THE MANDINGO AMBASSADORS. Every Wednesday
    In the 1960's and 1970's, the government of Guinea engaged in a campaign known as Authenticité. It was a drive to create a new musical movement that would be specifically Guinean, but would include the modern wonders that were the electric guitar, the electric bass and the drumset. Musicians were given instruments and orchestras were formed. Surprisingly, the results proved mesmerizing and a myriad new bands were born. Many of them would go on to have a profound and lasting impact on African music. Mamady Kouyate was one of those pioneers. He played in various bands - his own band, Les Ambassadeurs du Mandingue, being one of them - but is probably best known as the guitarist in the the classic Bembeya Jazz National. Kouyate, who now lives in NY, has reformed the Mandingo Ambassadors, updating the sound of his youth, but keeping it very close to the standard of Authenticité. The new All-Star band includ es Ismael Kouyate - vocals; Mamady Kourouma - guitar; Oran Etkin - tenor sax & clarinets; Sylvain Leroux - flute, tambin and alto sax; Andy Algire - drums; Nick Cudahy - bass and Mamady Kouyate - guitar. “dazzling vocal and guitar patterns over a rhythm section that is like a perfect system” Ben Ratliff, NY Times.