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KG Omulo:
Ayah Ye!: Moving Train
A synergy of funk, rock, reggae and traditional African sounds from this inventive, young singer/songwriter.
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Mamadou Diabaté:
Courage
Mamadou Diabate, the kora master, takes a fresh look at Mali instrumental music with his new CD Courage.
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Various Artists:
The Kankobela of the Batonga, Vol. 2
Mysterious melodies from a disappearing thumb piano tradition of Southern Africa.
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Kiran Ahluwalia:
Aam Zameen: Common Ground
Indo-Canadian Songwriter Combines Folk Poetry with African Rock, Jazz and more
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Sona Jobarteh:
FASIYA
West African female kora virtuoso releases an album full of grace, warmth, and passion.
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Sia Tolno:
My Life
Kissi singer releases a strong second album full of pop-infused star power over songs of strife and triumph.
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Zieti:
Zemelewa
Eclectic blend of Afro-infused pop out of Cote d'Ivoire.
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Guelewar:
Halleli N Dakarou
Re-released and remastered live CD from this 80's experimental Senegambian outfit.
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Tinariwen:
Tassili
Touareg desert legends return with an offering that is meandering, sorrowful and proud.
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Los Rakas:
Chancletas y Camisetas Bordada
Oakland/Panamanian rappers -call it "Panabay"-- return with good results.
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Cheikh Lo:
Jamm
The unique Senegalese singer and multi-instrumentalist crafts an eclectically excellent record.
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David Rudder:
Random Notes
Calypsonian David Rudder returns with an album that covers various styles with excellent results.
All Reviews >>
Samba MapangalaOrchestre Virunga
Ujumbe
Stern's Africa,
Earthworks, 2001
In this bittersweet new set from Samba Mapangala, the Congo-born singer
pays tribute to a list of colleagues who have died in recent years,
including the great Pepe Kalle. But if the inspiration is sad, the music
is as uplifting as ever-sensuous, guitar-driven rumba, graced by round alto
saxophone melodies and gorgeous vocal arrangements. "Siri-Secret" opens
things up with the classic Virunga sound, mid-tempo and melodious in a
minor key.
Mapangala has lived in Uganda, Kenya, the U.K., and now the United States.
His band lineup has evolved accordingly, but he manages to keep a
consistent sound. Keyboards never crowd out guitars. The alto sax makes
its presence knows regularly. And vocals are at center stage on every
tune. This time, Congo guitar veteran Bopol Mansiamina heads up the band,
spinning out irresistible seben guitar lines on track after track.
There's not much new ground broken here, except for a choice acoustic
number, "Muniache" ("Leave me Alone.") The standout track is "Dunia Tuna
Pita," ("We are Merely Passing Through This World"). There's nothing quite
like the sound of Mapangala's clear, slightly horn-like tenor soaring over
the chunking and chiming of a spot-on Congo guitar section. Congo music is
in bit of a rut these days. So while this release may not point the
genre's way to the future, at least it understands what made the past so
great.
Banning Eyre
Contributed by Banning Eyre