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KG Omulo:
Ayah Ye!: Moving Train
A synergy of funk, rock, reggae and traditional African sounds from this inventive, young singer/songwriter.
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Mamadou Diabaté:
Courage
Mamadou Diabate, the kora master, takes a fresh look at Mali instrumental music with his new CD Courage.
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Various Artists:
The Kankobela of the Batonga, Vol. 2
Mysterious melodies from a disappearing thumb piano tradition of Southern Africa.
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Kiran Ahluwalia:
Aam Zameen: Common Ground
Indo-Canadian Songwriter Combines Folk Poetry with African Rock, Jazz and more
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Sona Jobarteh:
FASIYA
West African female kora virtuoso releases an album full of grace, warmth, and passion.
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Sia Tolno:
My Life
Kissi singer releases a strong second album full of pop-infused star power over songs of strife and triumph.
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Zieti:
Zemelewa
Eclectic blend of Afro-infused pop out of Cote d'Ivoire.
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Guelewar:
Halleli N Dakarou
Re-released and remastered live CD from this 80's experimental Senegambian outfit.
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Tinariwen:
Tassili
Touareg desert legends return with an offering that is meandering, sorrowful and proud.
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Los Rakas:
Chancletas y Camisetas Bordada
Oakland/Panamanian rappers -call it "Panabay"-- return with good results.
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Cheikh Lo:
Jamm
The unique Senegalese singer and multi-instrumentalist crafts an eclectically excellent record.
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David Rudder:
Random Notes
Calypsonian David Rudder returns with an album that covers various styles with excellent results.
All Reviews >>
Caetano VelosoGilberto Gil
Tropicália 2
Elektra Entertainment, 1993
Nonesuch, 1993
Polygram, 1993
This collaboration by two of Brazil's most adventurous and appealing pop musicians has vitality and class to spare. The release celebrates twenty-five years of
tropicalismo, the liberating blend of roots culture, rock-and-roll, politics, and poetry that landed both of these artists in exile under Brazil's 1970's-era military regime. The off-center oddity and spiritual power of the best
tropicalismo infuse these finely-crafted tracks. "Haiti" roils with the slow, seductive undertow that marks Veloso's best work, while "Baiao Atemporal" exemplifies Gil's lighter-than-air blend of samba and reggae. Overall, neither artist dominates. Rather they resonate with playful ease whether on the retro-'60s "Wait Until Tomorrow," with its nod to Hendrix, the minimalist rock of "As Coisas," or the gentle acoustic samba of "Cinema Novo." Full translations of the lyrics find both songwriters boldly eliding between personal, political, and religious themes, commenting on music, art, and history all in one poetic continuum. Sweet and smooth but never lacking teeth,
tropicalismo lives!
Contributed by
Banning Eyre Originally published in: Boston Phoenix