• 
  Alkibar Gignor : La Paix
  
  Malian garage-rock group Alkibar Gignor deliver gloriously rough album.
• 
  Brownout : Oozy
  
  Latin-Funk group Brownout get down with some seriously laid-back swagger.
• 
  Sierra Leone's Refugee All Stars: Radio Salone
  
  Sixteen great new tracks from Sierra Leone's Refugee All Stars.
• 
  Funk Ark : High Noon
  
  Group from DC brings the Afrobeat fire.
• 
  , Amadou et Mariam: Folila
  
  Amadou and Mariam continue their foray into fusing their Malian styles with the sounds of western artists.
• 
  Nneka: Soul Is Heavy
  
  Nigerian-German soulstress channels her inner neo-soul star on her latest release
• 
  Sauti Sol: Sol Filosofia
  
  Kenyan, Afro-fusion outfit Sauti Sol continue their exploration of all things "pop."
• 
  KG Omulo: Ayah Ye!: Moving Train
  
  A synergy of funk, rock, reggae and traditional African sounds from this inventive, young singer/songwriter.
• 
  Various Artists: Chief Boima Presents: Lone Stars - Hipco and Gbema
  
  
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  Various Artists: The Kankobela of the Batonga, Vol. 2
  
  Mysterious melodies from a disappearing thumb piano tradition of Southern Africa.
• 
  Kiran Ahluwalia: Aam Zameen: Common Ground
  
  Indo-Canadian Songwriter Combines Folk Poetry with African Rock, Jazz and more
• 
  M.anifest: Immigrant Chronicles: Coming to America
  
  
• 
  Sona Jobarteh: FASIYA
  
  West African female kora virtuoso releases an album full of grace, warmth, and passion.
• 
  Sia Tolno: My Life
  
  Kissi singer releases a strong second album full of pop-infused star power over songs of strife and triumph.

All Reviews >>

Here’s a blast from the past that sounds as fresh today as it must have when it hit the airwaves in Mali, West Africa, over 30 years ago. Back then, Sorry Bamba led the Regional Orchestra of Mopti, one of many state-sponsored bands charged with preserving and modernizing regional folklore. The region in question is the Niger River town of Mopti—well north of the capital Bamako, but well south of the legendary Timbuktu. Mopti was and is a vibrant crossroads of cultures, a place where nomads of the savannah, river bank farmers and fishermen find common cause. The rhythms, melodies, words and sentiments of Sorry Bamba’s music make room for all of that, along with spicy electric guitar and keyboard riffing, a punchy brass section, layers of voices and percussion, and Bamba’s own fleet improvisations on six-holed, wooden flute.