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KG Omulo:
Ayah Ye!: Moving Train
A synergy of funk, rock, reggae and traditional African sounds from this inventive, young singer/songwriter.
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Mamadou Diabaté:
Courage
Mamadou Diabate, the kora master, takes a fresh look at Mali instrumental music with his new CD Courage.
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Various Artists:
The Kankobela of the Batonga, Vol. 2
Mysterious melodies from a disappearing thumb piano tradition of Southern Africa.
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Kiran Ahluwalia:
Aam Zameen: Common Ground
Indo-Canadian Songwriter Combines Folk Poetry with African Rock, Jazz and more
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Sona Jobarteh:
FASIYA
West African female kora virtuoso releases an album full of grace, warmth, and passion.
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Sia Tolno:
My Life
Kissi singer releases a strong second album full of pop-infused star power over songs of strife and triumph.
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Zieti:
Zemelewa
Eclectic blend of Afro-infused pop out of Cote d'Ivoire.
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Guelewar:
Halleli N Dakarou
Re-released and remastered live CD from this 80's experimental Senegambian outfit.
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Tinariwen:
Tassili
Touareg desert legends return with an offering that is meandering, sorrowful and proud.
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Los Rakas:
Chancletas y Camisetas Bordada
Oakland/Panamanian rappers -call it "Panabay"-- return with good results.
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Cheikh Lo:
Jamm
The unique Senegalese singer and multi-instrumentalist crafts an eclectically excellent record.
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David Rudder:
Random Notes
Calypsonian David Rudder returns with an album that covers various styles with excellent results.
All Reviews >>
Amadou BagayokoMariam DoumbiaAmadou et MariamAmadou et Mariam
Tje Ni Mousso
Circular Moves, 1999
Universal France S.A., 1999
Circular Moves, 2000
If you've dipped into the stream of new music coming out of Mali and found it pleasant but not sufficiently kick-ass, this is the album for you. Amadou et Mariam, once billed as The Blind Couple of Mali, are just that, a blind husband and wife musical act. They both sing and he plays ripping electric guitar. They are Bambara, significant because Bambara music bears obvious resemblances to American blues. After many record releases--including at least two on the international market--the couple is hip to the substance and the marketing value of that connection, and here they exploit it with a vengeance. The punch and swing of Chicago blues is evident on many tracks, right from the boisterous opener "Chantez-Chantez." "Dans ce Monde Troublé" brings in a powerful backing horn section and other tracks feature organ and violin flavoring. But basically, this is no-nonsense, small ensemble, electric African blues, more urban than Ali Farka Touré or Boubacar Traoré, but still right up front with its Malian roots--in short, the most rocking African pop record I've heard in a long time.
Contributed by
Banning Eyre Originally published in: Boston Phoenix