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KG Omulo:
Ayah Ye!: Moving Train
A synergy of funk, rock, reggae and traditional African sounds from this inventive, young singer/songwriter.
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Mamadou Diabaté:
Courage
Mamadou Diabate, the kora master, takes a fresh look at Mali instrumental music with his new CD Courage.
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Various Artists:
The Kankobela of the Batonga, Vol. 2
Mysterious melodies from a disappearing thumb piano tradition of Southern Africa.
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Kiran Ahluwalia:
Aam Zameen: Common Ground
Indo-Canadian Songwriter Combines Folk Poetry with African Rock, Jazz and more
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Sona Jobarteh:
FASIYA
West African female kora virtuoso releases an album full of grace, warmth, and passion.
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Sia Tolno:
My Life
Kissi singer releases a strong second album full of pop-infused star power over songs of strife and triumph.
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Zieti:
Zemelewa
Eclectic blend of Afro-infused pop out of Cote d'Ivoire.
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Guelewar:
Halleli N Dakarou
Re-released and remastered live CD from this 80's experimental Senegambian outfit.
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Tinariwen:
Tassili
Touareg desert legends return with an offering that is meandering, sorrowful and proud.
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Los Rakas:
Chancletas y Camisetas Bordada
Oakland/Panamanian rappers -call it "Panabay"-- return with good results.
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Cheikh Lo:
Jamm
The unique Senegalese singer and multi-instrumentalist crafts an eclectically excellent record.
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David Rudder:
Random Notes
Calypsonian David Rudder returns with an album that covers various styles with excellent results.
All Reviews >>
Hugh Masekela
Live at the Market Theatre
Times Square Records, 2007
Hugh Masekela celebrates 30 years of Johannesburg’s Market Theatre with a far-reaching, retrospective concert.
Hugh Masekela truly deserves all the recognition he’s received as one of Africa’s premier musicians. Even at the age of 68, he still puts on an energetic live show, as is evident in his latest release, Live at the Market Theater. This two-disc release features some choice tracks, such as “Lady”, a Fela Kuti cover and “Grazin in the Grass”, the song that reached number one status in America.
The songs work their way through different styles from jazz to funky jams. The opening track “Ibala Lam” is soothing and clearly jazz inspired. Masekela played in numerous jazz ensembles when he came to the United States in 1960. Aside from his masterful trumpet, cornet, and flugelhorn playing, Masekela’s voice is powerful. He urges the crowd to open up and let loose. The energy of the show definitely rises as the show progresses. The track entitled “Ha Le Se” has an intangible South African feel to it as it evokes melodies similar to those of Miriam Makeba.
A common occurrence on this album is Masekela’s use of his voice to produce sound effects, often high pitched. The introduction to “Stimela” is an example of this, as he mimics a train. The band joins in and together they create a pretty realistic audio image of a moving steam engine.
The band really displays its talents and cohesiveness during “Lady” and an expansive remake of Masekela’s 1968 international hit, “Grazin in the Grass”. Both tracks are up tempo and seem to be crowd favorites. The album is a testament to Hugh Masekela’s place among other African music icons. The overall listening experience is enjoyable, even if it doesn’t equal work from the prime of his career, or the experience of seeing him live.
Contributed by Hansdale Hsu
for www.afropop.org