In 1970, two of Mali's greatest masters of the 21-string kora--Sidiki Diabate and Djelimadi Sissoko--made a landmark recording. Cordes Anciennes (Ancient Strings) introduced listeners all over the world to the traditional music of Manding griots, and to one of the world's most unusual string instruments. The recording also summarized recent history, for although the kora has long been the mainstay of griot musicians in the Gambia, and in Guinea Bissau where the harp-lute was invented, it was not widely played in Mali. Sidiki Diabate, in particular, pioneered the use of kora as a solo instrument, and as director of the Instrumental Ensemble of Mali, he did much to raise its profile in Mali. New Ancient Strings brings all of these stories up to date. Toumani Diabate and Ballake Sissoko are the sons of the players on the 1970 recording, and they play versions of the same songs their fathers did, including classics such as "Kaira" and "Lamban." But the art of the kora has evolved in the hands of these young players. Today there is a very distinct Malian kora tradition, and this is its most definitive statement to date. Toumani, who conceived the new arrangements, draws on his experience with musicians ranging from the new flamencans of Ketama to bluesman Taj Mahal. No kora player has ventured so far out of the old tradition, and none has brought more back. The new session was fabulously recorded in Bamako's Palais de la Congres. The kora's tapestry of rhythms and melodies have never sounded richer on CD, and because these two players have worked together since childhood, their improvisations breathe with intimacy and intuition. Listeners unfamiliar with the kora will find this a friendly introduction. Kora aficionados will find it an indispensable addition to the collection. New Ancient Strings sets a new benchmark.

Contributed by: Banning Eyre for www.afropop.org