Songs are literally transformed with the addition of new guitar, percussion and balafon breaks, musical interludes born of collective, on-stage inspiration, even a rap passage by Koite that serves as a link between "Saramaya" and an incendiary "Cigarette Abana." Koite's guitar playing was always innovative and highly musical. Now it is downright masterful. To hear him dig into the strings on the takamba flavored "Fatma" or the barnburner "Nimato," is riveting, flourishes flying with breathtaking conviction and skill. The venerable balafonist Keletigui Diabaté also gets a number of solos including a playful exchange with Koite's guitar on "Konime" and a slightly schticky venture into swing jazz on a 16-minute version of "Kunfeta."
The album breaks out into a more subdued, introspective first CD--"Muso Ko," "Batoumambe," "Imada" and others--and a fiery, jamming second one--"Nanale," "Nimato," "Wassiye," "Kunfeta." This contrast gives the two-and-a-half hours of music here a nice trajectory. In all, this may be the most satisfying live CD an African band has ever recorded. It is technically beautiful, but more than that, it takes brilliant songs and transforms them through the crucible of unflagging live performance.
Habib Koite and Bamada 2004 tour dates