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KG Omulo:
Ayah Ye!: Moving Train
A synergy of funk, rock, reggae and traditional African sounds from this inventive, young singer/songwriter.
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Mamadou Diabaté:
Courage
Mamadou Diabate, the kora master, takes a fresh look at Mali instrumental music with his new CD Courage.
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Various Artists:
The Kankobela of the Batonga, Vol. 2
Mysterious melodies from a disappearing thumb piano tradition of Southern Africa.
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Kiran Ahluwalia:
Aam Zameen: Common Ground
Indo-Canadian Songwriter Combines Folk Poetry with African Rock, Jazz and more
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Sona Jobarteh:
FASIYA
West African female kora virtuoso releases an album full of grace, warmth, and passion.
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Sia Tolno:
My Life
Kissi singer releases a strong second album full of pop-infused star power over songs of strife and triumph.
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Zieti:
Zemelewa
Eclectic blend of Afro-infused pop out of Cote d'Ivoire.
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Guelewar:
Halleli N Dakarou
Re-released and remastered live CD from this 80's experimental Senegambian outfit.
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Tinariwen:
Tassili
Touareg desert legends return with an offering that is meandering, sorrowful and proud.
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Los Rakas:
Chancletas y Camisetas Bordada
Oakland/Panamanian rappers -call it "Panabay"-- return with good results.
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Cheikh Lo:
Jamm
The unique Senegalese singer and multi-instrumentalist crafts an eclectically excellent record.
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David Rudder:
Random Notes
Calypsonian David Rudder returns with an album that covers various styles with excellent results.
All Reviews >>
Garikayi Tirikoti
Maidei
Limitless Sky Records, 2003
The worldwide
mbira community--those tuned into the lore of the sacred, Shona hand piano--have been buzzing for years about this prodigal musician. But it took a visit to Tanzania with his nephew to actually get Garikayi Tirikoti on record for the general public. Garikayi has a full ensemble in Harare, which we will someday hear from. In the meantime, this session he made for Limitless Sky in Tanzania is a tantalizing introduction.
Garikayi is a phenomenon, in part because he uses a range of mbiras in different tunings to expand the instrument's sonic range, and in part because he plays with amazing speed and precision. Not that this is chops music. Rather, the magic comes from a hypnotic alchemy of interaction among musicians. On these seven tracks, Tirikoti and his nephew create a virtual village using overdubbing to build a complex mesh of mbira lines and rich choral passages of call-and-response with independent voices cutting across the harmonies.
On "Usaore Moyo (Don't Lose Heart)" the effect is joyous and bubbly; on "Chinembiri Chii (What is Popular?)," a pulsing downbeat and achingly mournful vocals. "Kugara Hunzwara (Stay Together in Understanding)" features an unusual, broken rhythm on the hosho (shaker percussion). "Maidei," a love song, has a sweet hook and may be the catchiest track here. The layering technique results in occasional rhythmic looseness, but for the most part, the sound is surprisingly natural, and crisply recorded to do justice to details. Another plus is the lyrics, well translated in the notes, which provide genuine insight into Shona culture.
[Expanded from a review published in the Boston Phoenix.]
Contributed by Banning Eyre