-
KG Omulo:
Ayah Ye!: Moving Train
A synergy of funk, rock, reggae and traditional African sounds from this inventive, young singer/songwriter.
-
-
Mamadou Diabaté:
Courage
Mamadou Diabate, the kora master, takes a fresh look at Mali instrumental music with his new CD Courage.
-
Various Artists:
The Kankobela of the Batonga, Vol. 2
Mysterious melodies from a disappearing thumb piano tradition of Southern Africa.
-
Kiran Ahluwalia:
Aam Zameen: Common Ground
Indo-Canadian Songwriter Combines Folk Poetry with African Rock, Jazz and more
-
-
Sona Jobarteh:
FASIYA
West African female kora virtuoso releases an album full of grace, warmth, and passion.
-
Sia Tolno:
My Life
Kissi singer releases a strong second album full of pop-infused star power over songs of strife and triumph.
-
Zieti:
Zemelewa
Eclectic blend of Afro-infused pop out of Cote d'Ivoire.
-
Guelewar:
Halleli N Dakarou
Re-released and remastered live CD from this 80's experimental Senegambian outfit.
-
Tinariwen:
Tassili
Touareg desert legends return with an offering that is meandering, sorrowful and proud.
-
Los Rakas:
Chancletas y Camisetas Bordada
Oakland/Panamanian rappers -call it "Panabay"-- return with good results.
-
Cheikh Lo:
Jamm
The unique Senegalese singer and multi-instrumentalist crafts an eclectically excellent record.
-
David Rudder:
Random Notes
Calypsonian David Rudder returns with an album that covers various styles with excellent results.
All Reviews >>
Super Rail Band
Kongo Sigui
Indigo, 2003
In the rough and tumble of African music, this legendary electric dance band has seen its ups and downs since it began in 1970 in Bamako, Mali, with now-superstar Salif Keita as lead singer. Against heavy odds, the Rail Band rolls on, with nine, shimmering tracks as polished and energetic as any it has recorded. The current band is slightly paired down from the lineup that last went into the studio over seven years ago. The horn section is gone leaving the focus squarely on the band's high-flown vocals--now both male and female--bubbling percussion, and dense arranging for two guitars and bass.
Central to everything is the staggering guitar artistry of the band's most longstanding member, Djelimady Tounkara. Track after track, Tounkara's blistering, crystalline lines merge a kind of manic precision with a floating, relaxed quality that has led many to dub him the greatest of all African axe men. Support for that claim is everywhere here from the racing condemnation of the pirate trade in music ("Pirates") to a brooding exploration of Mali's mystical pre-history ("Kongo Sigui") to an R&B inspired celebration of destiny ("Dakan"). There's even a tasty acoustic number, featuring guest kora player Ballaké Sissoko. Tounkara is clearly the star, but today's Rail Band has no weak links. It remains one of the most powerful and smooth-running dance music engines anywhere.
Contributed by Banning Eyre
Originally published in: Boston Phoenix