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KG Omulo:
Ayah Ye!: Moving Train
A synergy of funk, rock, reggae and traditional African sounds from this inventive, young singer/songwriter.
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Mamadou Diabaté:
Courage
Mamadou Diabate, the kora master, takes a fresh look at Mali instrumental music with his new CD Courage.
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Various Artists:
The Kankobela of the Batonga, Vol. 2
Mysterious melodies from a disappearing thumb piano tradition of Southern Africa.
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Kiran Ahluwalia:
Aam Zameen: Common Ground
Indo-Canadian Songwriter Combines Folk Poetry with African Rock, Jazz and more
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Sona Jobarteh:
FASIYA
West African female kora virtuoso releases an album full of grace, warmth, and passion.
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Sia Tolno:
My Life
Kissi singer releases a strong second album full of pop-infused star power over songs of strife and triumph.
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Zieti:
Zemelewa
Eclectic blend of Afro-infused pop out of Cote d'Ivoire.
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Guelewar:
Halleli N Dakarou
Re-released and remastered live CD from this 80's experimental Senegambian outfit.
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Tinariwen:
Tassili
Touareg desert legends return with an offering that is meandering, sorrowful and proud.
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Los Rakas:
Chancletas y Camisetas Bordada
Oakland/Panamanian rappers -call it "Panabay"-- return with good results.
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Cheikh Lo:
Jamm
The unique Senegalese singer and multi-instrumentalist crafts an eclectically excellent record.
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David Rudder:
Random Notes
Calypsonian David Rudder returns with an album that covers various styles with excellent results.
All Reviews >>
Thomas MapfumoThe Blacks Unlimited
Live at El Rey
Anonym Records, 1999
Mapfumo's spiritual Shona pop has never sounded like this. Recorded during a 1995 tour when Mapfumo had only the hard core of his band on hand, this spacious set delivers chimurenga (struggle) music redux, and proves that less is more. Two mbiras, iron-pronged hand pianos, do most of the leg work here, aided melodically only by one of Africa's most rock solid bass players, Allan Mwale, who unfortunately died this fall. Mwale's limber lines marry the spidery mbira parts with Sam Mukanga's artful drumming. With no horns, guitars, keyboards or backup singers to clutter, Mapfumo delivers spare, honest renditions of classics ("Hwahwa," "Pfumvu Paruzevha") and also pillars of the traditional mbira repertoire ("Mahororo" "Nyama Musango.") Only,
"Chikende," a song built around guitar and horn lines, falls short in this setting. If you have ever been moved by one of Mapfumo's many recordings or concert appearances, you owe it to yourself to hear this set. This is ground zero for one of the most original and enduring sounds in African pop.
Contributed by
Banning Eyre Originally published in: Boston Phoenix